If you read my recent post regarding my thoughts on Yakuza 6, you might have been under the impression that I was speaking about the game from the perspective of somebody who’d actually completed it. Well, confession time: I hadn’t. But I have now. And what an ending it was too.
But this was more than just the conclusion of yet another Yakuza game: this was the finale of Kiryu Kazuma’s story – an epic, and emotional story that spanned seven main series entries, over a decade of Yakuza/Ryu Ga Gotoku releases (the first being the PS2 original which hit Japan in 2005), and an in-game timeline that began in the late 80’s with Yakuza 0. It’s fair to say that Kiryu went through a lot during that time. He’s been embroiled in countless Yakuza conflicts and shadow games involving corrupt officials, lost countless friends and loved ones to said conflicts, and been shot, stabbed and beaten more times than I’ve had hot dinners.
The Yakuza series has always been OTT, with characters that can survive a highly unrealistic quota of explosions and bullets, but there came a point where Kiryu’s tale simply became far-fetched, so I can understand why Sega decided that it was time to retire the Dragon of Dojima. Nevertheless, I wasn’t particularly happy about said decision when Kiryu and his allies have become much-loved staples of my personal gaming landscape. So this Yakuza 6 ending NEEDED to be pretty good.
Hopefully I’ve hooked you in with that clickbait-esque title BUT, before you berate me for using such shady tactics, I do actually mean what I say…sort of. Yakuza 6 IS the worst game that I have played in the main series (ignoring the Dead Souls spin-off) but it is still a Yakuza game. Branding the sixth chronological installment of Sega’s beloved franchise as the worst one is like being presented with a group of semi-naked Playboy bunnies and being asked to select your least favourite.
What I’m saying is that Yakuza 6 ranks bottom for me, but it’s still a fantastic game regardless of its issues.
I don’t like to make these sorts of update posts. For one, if I’m going to spend time typing something up for this blog, then I want it to be real content, such as a review or discussion piece.
Secondly, I don’t have a big enough ego to believe that the internet cares about what I’m doing. This blog has about fifty followers and, while I certainly appreciate any views and the odd comment, I’m a realist. Fifty followers isn’t even a grain of sand in the blogging world.
Yet here I am, doing what I just said I don’t want to do.
So why, then? Well, I’m on a small roll here, having put out two mini-reviews over the past few days. I want to keep that ball rolling. New reviews are in the works and I want to get back to doing some more in-depth discussion things. The irony is that this sudden spurt of motivation isn’t even linked to me being stuck indoors due to the big, bad C-Virus. My job means that I will still be going to work full-time unless a) I fall ill or b) my workplace shuts down, which is – fortunately – unlikely given that I work in the food distribution industry.
Once the day job is done and dusted however, I can get back to enriching the internet with entirely unnecessary reviews of games like this:
Yes, I decided that Dead or Alive Xtreme 3‘s sunny beaches, chilled music and bodacious babes would be the perfect antidote to all the misery and worry gripping the planet right now. Was I right though? You’ll find out in the upcoming review which is currently baking in the oven. I probably could have had the review finished by now but I had a lot to say about Xtreme 3 and the resulting review should be reasonably meaty.
I’ve also been on a retro kick, specifically a Playstation one as you will already be aware of if you’ve checked out the previous two mini-reviews on this blog. I’ve dug out another old favourite which has stolen a lot of my gaming time in recent weeks:
Expect a review of this too, once I’m done perving on digital girls with improbable proportions, that is. Priorities and all that.
Elsewhere, I’m continuing my Yakuza marathon with Kiwami 2 – the most excellent remake to my favourite game from the entire series (Yakuza 2, duh). As ever, I was aiming for that sweet 100% completion and, again – as ever – it’s looking unlikely since I absolutely cannot be arsed with the Japanese gambling games. Even the casino has been making me angry. Several hours of trying to win 1000 chips in one sitting to satisfy Haruka’s request has that sort of effect on you. Still, you don’t need that 100% rating or a platinum trophy in your virtual cabinet to enjoy one of the best story-driven series’ of modern times.
Finally, I’ve been dipping in and out of Soulcalibur VI again, especially since I paid up for the second season pass after months of putting it off. So I now have access to Hilde (who actually looks awesome to play as) and her stage, which has such good music that I don’t even feel the need to swap it out with a classic BGM from one of the earlier games in the series’. As a bonus, it looks like I’ve bought in to Season 2 just as Samurai Shodown‘s Haohmaru is about to be added, along with some new creation bits.
tl;dr: expect DOA Xtreme 3 and Destruction Derby Raw reviews very soon and (hopefully) some new discussions/articles.
Most importantly: stay safe, stay sensible and look after each other.
We’re only five months into 2019 but I can already say that this has been my most barren year for gaming so far. Not a great thing to publicise on a gaming blog, huh? Well, a combination of things has stunted my gaming enthusiasm:
Being stuck on ‘big’ games for too long
Less available time than before
A general lack of desire
With that said, I have still managed to get my game on during April and May and play a few things…
Dead or Alive 5: Last Round (PS4)
Earlier in the year, I posted about why DOA5was such a great fighting game in my opinion. With the arrival of DOA6, I decided to get back into its immediate predecessor again. There are a few aspects of 6 that I’m not overly happy about hence why I haven’t purchased a copy yet. That and the fact that I didn’t ever get the most out of DOA5 despite playing all of its revisions. I tend to stick with Ayane and a few other characters for the most part so there is still a lot for me to get from the game which is why I wanted to get back into playing it. I think, as a gamer, you just KNOW when you haven’t mentally finished with a game and this is certainly the case with me and Last Round.
Soulcalibur VI (PS4)
Fighting games have always been my favourite genre but I seem to have fallen behind lately. Thankfully, the wonderful Soulcalibur VIhas reignited my passion for fighting games and even though I haven’t sat down with a controller nearly as much this year, this is probably the one game that has hooked me enough to lose track of time on numerous occasions. To tell you the truth, I’m still in shock at how good this game is and how we came from the awful Soulcalibur V to this, a sequel which is right up there with SCII and SCIII for me. Every time I take a bit of a break, Namco drop some more DLC for the game that gets me all excited again and makes me feel the way I did earlier in my gaming life when I wasn’t so jaded. I love creating characters for example and Namco keeps adding new customisation parts that encourage me to make more new characters and go back to my older ones to update them. Oh and as of typing this, they just added in the OSTs from SCII and III to customise the game with! SCVI has pretty decent music in fairness but II and III were the high points for me so this was AMAZING.
Metal Slug Anthology (PSP)
Last month I decided to charge up and use my handhelds just to look after the batteries. What I didn’t expect was to end up playing a fair bit of Metal Slug Anthology on the PSP, a game that I sold a long time ago but had had the foresight to retain on my custom firmware-enabled memory stick. Of course, you can’t just have a “quick go” on a Metal Slug game; they are addictive and it just doesn’t work that way! So I ended up playing all of the games and reviewing the compilation. What I re-learnt was that the classics don’t age and neither does Nazca’s mind-blowing art style. I adore these games and playing them granted me a strong hit of love for videogames in general.
Yakuza 5 (PS3)
This was the “big” game that was bogging me down and had been for over a YEAR now. Yakuza is one of my most cherished videogame series’ and so it must be stressed that I wasn’t burnt out on it and I hadn’t had enough. The problem was that I had decided to go for 100% on Yakuza 5 which turned out to be a bad decision. Eventually (for my own sanity) I had to turn back and be satisfied with 95% completion. So I finally, FINALLY completed the game after 170 HOURS of playtime. Fucking hell; how did that happen? All the wandering around, fighting and trying to get the 100% I guess. This is easily the hardest game in the series to 100% in my experience and so I don’t feel too bad about abandoning my quest as much as it hurts the obsessive part of me. I don’t enjoy or understand the Japanese gambling games, the Ito fish is impossible to catch (seriously, fuck that fish – it doesn’t exist!) and the hardest level of Winter Combat is something I ran out of SOUL to continue attempting. It was a superb game though and it’s a shame that it was a digital-only release here in the West as my Yakuza shelf looks incomplete without a box showing the number ‘5’ on the spine. I have Yakuza 0, Kiwami and 6 all ready to play on the PS4 (still need to pick up Kiwami 2…) but I think I will take a bit of a break from the series to avoid burnout.
3D Streets of Rage 2 (3DS)
As part of charging up my handhelds, I played this again on my 3DS since I have very few retail games left in my collection and have nothing new to play. This is no bad thing however as Streets of Rage 2 is one of my all-time favourite games and a masterpiece of design. These days I tend to stick with the mighty SoR Remake on PC but there’s still something nice about going ‘pure’ and playing the second game as it was intended. M2 did a sterling job with the 3DS port and all the lovely options/settings it comes with and so I always have a blast coming back to SoR2. As with Metal Slug, games like this make me feel happy without even trying. I can’t wait for SoR4…
Crash Bandicoot N. Sane Trilogy (PS4)
This has been sat on my shelf since Christmas and I’ve only just taken the wrapping off the box. I’ve played Activision’s remasters in the “wrong” order and completed the Spyro Reignited Trilogy right after receiving it (also a Christmas gift) but then I got distracted by other games and the mountain that was Yakuza 5 so Crash got neglected. Spyro was always one of my Playstation favourites though so those remasters were ALWAYS going to get played first. I finally got stuck into the N.Sane Trilogy yesterday and so far, so good. I’ve aways considered the original Crash Bandicoot to be the trickiest of the original trilogy with a more merciless level design that holds little room for error and I’m not finding it much easier this time around. That’s probably because the OG game was tight and short of dumbing down the game and level design, there wasn’t anything else that could be done. I’m glad that they didn’t meddle however because otherwise, I simply wouldn’t be interested in these remasters. It’s nice to be playing these games again in lovely PS4-o-vision but at the same time, I’m feeling a bit ‘meh’ about revisiting the original Crash Bandicoot. Don’t get me wrong, I still adore it but I feel like I’m going through the motions. It probably doesn’t help that I downloaded the first game on my PSVita not that long ago so the game is still relatively fresh in my head. Still, it’s fun enough and the 90’s PS1 fanboy in me is enjoying the nostalgia hit. I played these games when they were new back then and I can’t understand where the time went!
That brings me up-to-date with my gaming situation so far in 2019. I plan to take a break from the bigger, more time-consuming stuff for a while now so that I can focus on having a greater variety of gaming experiences rather than slogging away at the same few games for an eternity.
If there’s one thing we don’t see enough of in gaming, it’s consistency. With which franchises and developers can you safely place your hard-earned money for a day one purchase without waiting for the reviews to come in or the Youtube streamers to show you the truth of the final product? The answer is “not many” and it has always been this way. Games that hit the big time and spawn sequels will inevitably fall into one of several traps:
Eventually the series will go for a sequel too far and interest will drop off once consumers have finally had enough of the same formula.
On the flipside, a spin-off or radical revamp of a much-loved series will change too much and get universally condemned or – at best – become a “meh” title that purists shun.
The publisher milks a good thing and turns it into a yearly series. Originality and consistent high quality become diluted and suffer as a result.
A different developer/publisher takes the reigns and fails to capture the magic of the originals. See the likes of Spyro and Crash in the PS2 era for example.
So what is the secret formula that can produce consistency over a long period of time? I’m not sure that there isa concrete answer and there is perhaps an element of circumstance and dumb luck involved. Additionally, it’s important to remember that quality and consistency are also subject to personal taste/opinion. For example, mainstream gamers may say that the Onechanbara series is consistently a load of weird shit with terrible production values but avid fans of the series will say that as long as the games stay as they are then they are consistent in a positive way.
These things aside, I have decided on three ingredients of videogame development that I believe can contribute to consistent high quality plus a developer and series to help illustrate each point.
“It’s done when it’s done”
Say what you will about Rockstar’s Grand Theft Auto series but the developer doesn’t rush the next game out, no matter how loud the fanbase is calling for a remake of Vice City or a game that is even bigger than the last one. A new GTA simply arrives when it arrives and the consistency in the results is staggering. Each new game is bigger than the last, more feature-packed than the last, prettier than the last and all of this without sacrificing quality. Every game has small glitches but GTA games don’t arrive as buggy messes that need enormous day one patches to repair. They also manage to remain relevant and the series has avoided stagnation over the years as a result. The only deal-breaker is personal preference and for some gamers, the violence and outrageous moments are a turn-off but this aside, you cannot deny the quality of the completed product. Truly a safe bet for a pre-order.
I’m technically cheating here – since I’m not focusing on one single game/franchise but a developer’s entire output – but this is my blog so screw the rules. You may recognise Vanillaware’s Dragon’s Crown up above and that’s because Vanillaware are a developer that clearly pours a lot of love into their games. The art is always beautiful and the team make the games that they want to make based on influences close to their heart. There is also an element of “it’s done when it’s done” with this developer in particular because there is always a long wait between new releases given that the team is relatively small BUT the wait is always worth it. Basically, if you adored the likes of Odin Sphere, Dragon’s Crown and Muramasa: The Demon Blade then you can safely slap your money down on day one, whatever comes next.
This long gestation time allows Vanillaware to put a lot of themselves into the game(s) and ultimately, they are making said games because they want to, not because some marketing bloke in a suit has ordered them to get to work on whatever’s hot right now. Of course, this way of working can also go the opposite way when a superstar developer uses his position to indulge personal fancies and the results are interesting games that suffer with horrible mechanics or dull gameplay, all the originality being confined to plot and wacky characters (see some of Suda51’s less critically acclaimed releases for example). On the whole however, I see love as absolutely essential for a series to remain of a consistent high quality. After all, if a developer truly loves a game then they won’t be satisfied with a shoddy hack job.
Sega’s Yakuza series is almost a contradiction to the very factors that cause the stagnation of videogame franchises. After all, they have been pumping these games out at a crazy rate for a good while now with the older titles being completely remade at the same time that brand-new sequels are in development. We already have four Yakuza games on the PS4 for example which is noteworthy given how the first five (not including the two Ryu ga Gotoku Kenzan spin-offs and Dead Souls) were spread across two hardware generations. How many will we have on the PS4 by the time the platform is obsolete? Who knows.
Additionally, while the games improve technically and visually, you are basically doing the same thing every time: working through a cinematic, Japanese crime saga with many, many sidestories and distractions, beating up thugs and exploring Japanese cities/culture. Yakuza avoids the repetition factor however because each new game remains familiar enough to veterans whilst constantly introducing enough new stuff to surprise. These enhancements range from significant updates to the combat engine to smaller details such as new mini-games. Yakuza 4 introduced multiple characters/storylines for example while Yakuza 5 pumped even more fresh content into the game in the form of in-depth, character specific sidestories such as Kiryu’s taxi racing and Shinada’s baseball missions. Basically you know what you are getting but there are always enough enhancements and additions to keep the series feeling fresh. How Sega consistently maintain the overall quality and production value of the series while their other franchises (Sonic for example) are all over the place is something even I cannot answer properly however.
This constant, gradual enhancement is necessary for a long-running series to endure. Too much too soon and hardcore fans run away. Change too little and consumers will eventually ask “what’s the point” and not rush out day one.
These are just my thoughts on how to achieve consistency. Are there any other major contributors that I’ve overlooked? Let me know in the comments!