…in more ways than one (I’ll get to that in a little bit).
So, my first post in a long while is a reaction of sorts. Yeah, I’m not exactly thrilled about it either but hey, at least it’s encouraged me to get posting again. That aside, Nintendo have decided to celebrate Mario’s thirty-fifth anniversary with some new products and I’m going to give my unrequested take on the main feature of this celebration. I’m sure nobody cares, but, then again, I don’t particularly care that nobody cares. Here we are and here it is…
So, Sony’s new Wi-Fi router Playstation console has finally been unveiled. It’s opponent? The Microsoft Air Purifier 3000X. Overused memes aside, the battle for gamers’ attention begins here. Will you be Team PS5 or Team Xbox? Does anybody actually care about console warz anymore?
I’m slow off the mark discussing this but, then again, what’s new around here? I’d originally planned on talking about the Resident Evil 4 remake right after the news broke, but shit happened and I slacked off with blogging.
Anyway, my question is this: is a remake of Resident Evil 4really necessary?
Well, that’s that then: Dead or Alive 6 is officially, er…dead and I couldn’t be happier about it. That’s probably a bizarre thing for a fan of the series to say. Doubly so given that – at the time of typing this post – I still haven’t purchased DOA6.
However, the recent Twitter announcement from Koei-Tecmo, about April’s DLC update being the final batch of support for DOA6, felt like justice in a warped way. The game has badly underperformed at market and consistently attracted low player numbers. It’s a big turnaround from the success of Dead or Alive 5 and there’s a good reason for it.
Let’s put this into perspective. Dead or Alive 5 was severely criticised for its fuck-ton of DLC and neverending stream of season passes. Yet, the tide of add-ons was viewed with a raised eyebrow and a knowing smirk. It was Koei-Tecmo playing the “sex sells” card and it more or less perfectly straddled the line between being acceptable and straight-up taking the piss. If any proof was required that the DLC tactics didn’t push fans away, consider that DOA5 had two updated editions (Ultimate and Last Round), spanned two hardware generations, and was supported for six years.
DOA6, on the other hand, is being put out to pasture barely a year after the initial release. To me, this is JUSTICE, because it is a case of a publisher pushing the limits of DLC beyond the realm of acceptability and being punished for it. Gamers were rightly horrified by how brazen Koei-Tecmo were being with DOA6‘s add-on content and clearly voted with their wallets. It’s something that we – as consumers – need to do in order to show big publishers that we won’t lap up any old bullshit.
DOA6 ran into trouble straight away when Koei-Tecmo vowed to tone down the game’s sexuality in order to get more people involved and give the series a greater chance at being taken seriously. As it transpired, it wasn’t the drastic Victorian-era suppression of the female figure that we feared but the story nevertheless generated negative press and worried a good chunk of the DOA fanbase. But it wasn’t paranoia over SJW rule that ultimately killed sales of DOA6. It was the publisher’s determination to wring their customer’s wallets dry.
First of all, Dead or Alive 6 has had FOUR season passes in less than a year! As far I’m aware, Season Passes cover a year’s worth of DLC in most games, hence the name. Not in DOA6 however. Fuck that logic. They were eye-wateringly expensive too, with the most recent Season Pass 4 retailing for $90.
Overall, the game has hundreds upon hundreds of dollars-worth of DLC available to download. You thought DOA5 was bad? Well, Team Ninja really upped their work rate for 6, pumping out new costume packs at an insane rate. It really is the undisputed claimant to the title of DLC: The Game.
But the worst of all didn’t come until this year, when the publisher decided that it was acceptable to charge players for a change of hair colour…and make them pay for said colour every time they changed it.
In a way, the audacity of Koei-Tecmo has to be admired.
On the other hand, the whole saga of DOA6 has been an embarassing series of apologies to the fans, promises of fixes and back-tracking. Add to this the crappy in-game unlock system and the fact that DLC can’t be purchased individually for American/European PS4 owners of the game specifically, and you have a really unappealing fighting game on your hands.
The other big problem is that the game isn’t THAT big of an upgrade over Dead or Alive 5: Last Round, which still looks fantastic in PS4/XBO form, plays brilliantly and isn’t saddled with terrible money-making schemes. Yes, the DLC for that game is still a joke, but it is at least more honest (if you can get past the awful organisation and confusing compatibility Catalogue add-ons) and what’s available is the accumulation of six years worth of steady support as opposed to a relentless tide of DLC being vomited out in single year. I, for one, saw no reason to upgrade from 5 to 6 and have yet to be convinced. Unless Koei-Tecmo announce some sort of all-in-one retail package of the game, then I doubt I ever will.
So I’m glad that gamers have woken up and rejected Koei-Tecmo’s business strategy.
Unfortunately, it does mean that the DOA series may well be mothballed as a result of this commercial failure. I also wouldn’t be surprised if KT blame “market trends” or other vague reasons for the absence of a DOA7, rather than holding their hands up and publicly accepting that they went too far with 6 and allowed greed too much of a say.
I hope that this isn’t the end of Dead or Alive but Koei-Tecmo need to learn from the failure of DOA6 and take a leaf from the books of other publishers of fighting games.
I’m very late to the party on this one. Pretty much every videogame journo and Twitterati has ripped Koei-Tecmo to shreds over this pay-to-change-your-character’s-hair-colour debacle but guess what? I can still come along and pick up the scraps…and tear them into even smaller pieces. That’s just how I roll here.
It’s already well-known that Dead or Alive 5 saw Koei-Tecmo turn their famous fighting game into a hybrid fighting game/dress-up experience. Sure, DLC was around on the Xbox 360 in the days of DoA4 but it was the fifth installment that really saw the publisher slip into bed with DLC and flaunt their staggering stamina stat by fucking, non-stop for several years. The resulting offspring was a library of add-ons that allegedly (I haven’t fact-checked) exceeded $1,000.
Many were disappointed that the publisher had sold out to the portion of the fanbase that was more invested in the sexy stuff than the actual gameplay. DoA5 was almost like dressing up a bunch of dolls and playing with them, rather than taking this punching thing seriously.
And, as much as I agree with that, I have also defended the game numerous times. After all, the gameplay was probably the best it had ever been and the graphics were fantastic. I also really enjoyed the ability to customise stages with past music. As for the DLC…well, nobody was forcing you to purchase costumes. If you want it, then buy it. If you disagree that strongly, then boycott – simple. I bought a fair few outfits but only for my favourite characters. Yes, the prices were sometimes heavier than Tina’s in-game bust but, again, you were still able to play the game without buying maid outfits and the yearly batches of Halloween costumes. If it extended the life of the game and kept you playing, then that’s a good thing.
That said, I wasn’t blind.
There’s a balancing act between accepting a DLC structure and being taken advantage of. Arguably, the latter was already happening given that Koei-Tecmo were well aware of how sexually appealing DoA‘s girls are to their consumer base hence the drive to squeeze more and more money from fans by selling increasingly-skimpy bikinis and risque outfits.
As I have already said, I don’t mind cherry-picking the DLC that interests me if it keeps me playing and enjoying a game for longer. BUT there is a tipping point when that aforementioned fine balancing act fails and you – as the customer – must put your foot down and say “no,” if things tip into the realm of the publisher just taking the piss. This is what has happened with Dead or Alive 6.
It must be mentioned – before I continue – that I still haven’t played DoA6 because every time the game is in the news, it rubs me up the wrong way and I’ve yet to read anything to convince me that things have changed. It got off to a bad start when Koei-Tecmo claimed that they were going to be cleaning up the series’ image. I’ve already talked about that at length before but, to quickly re-cap, I am an unashamed fan of the boob physics and revealing outfits. I see it as escapism and harmless fun. It’s DoA‘s USP for crying out loud. The last thing I wanted was the series to bow to the pressures of the Woke generation. Yes, it wasn’t a deal-breaker (as I also made clear in my DoA6 reveal post) but it was disappointing.
So I would have still bought the game but worse was to come. First, there was the really crappy system of unlocking new constumes. Then came the absolute bullshit of western PS4 owners being the only group that couldn’t purchase costumes individually, meaning that you had to buy entire packs or commit to the big-money season passes.
Perhaps these things have been fixed – I don’t know. What I do know is that the balance had well and truly shifted in my view, and even I wasn’t able to defend the janky, money-grabbing execution of DoA6. As much as I still wanted to give it a go, Koei-Tecmo had simply gone too far. At the end of the day, DoA5 was still on my shelf and still everything that I’d ever wanted from the series. Why expose myself to shit that was just going to piss me off and attempt to rape my wallet?
Give us humans enough time, however, and we get over it. DoA6 had been creeping back onto my mental “maybe I’ll finally buy a copy?” list. Then this fucking hair thing happened.
In case you’ve been living under a rock, you can now use Premium Tickets – which are obtained in exchange for actual money – to change the colour of your character’s hair. Paying to dye Kasumi’s hair is pathetic enough, you might think, but this is no normal DLC. In fact, it isn’t even DLC proper. It’s a non-permanent micro-transaction that has to be paid for again if you switch said character’s hair back to the default colour. It only costs one ticket (which is $1.00) but that isn’t the point. The point is that you are effectively renting a hair colour. Koei-Tecmo’s audacity with this is a new low in my opinion. Paying for something so small in the first place is straight-up robbery but, if you have to do so, then it should at least be a permanent option unlocked/added to your game.
Heck, I’d want to go even further. If I’ve got to pay a dollar to swap Kasumi’s hair colour then, without wishing to be too crass, that buck had better also cover a hue change for the bush between her legs. Then again, judging by the fan-made renders and in-game mods of the DoA lasses, they’re all bald down below anyway so that’s my value-for-money notion in the bin.
You know, I thought that Street Fighter V was having a laugh when the game wanted the player to pay for palette swaps but this is something else. Koei-Tecmo has at least responded to the slating on Twitter:
“Dear fans, we hear and acknowledge your disappointment behind our roll out of the new hair color feature for DoA6. We greatly appreciate your feedback, and are working towards a solution that helps to mitigate this issue and will share our plans in the coming days.
We apologize for our misstep, and are working hard to resolve this situation. We thank you in advance for your patience and hope you continue to enjoy DoA6.”
“Misstep”? Bullshit. They knew EXACTLY what they were doing. To me, it seems as if they decided to push the envelope anyway to see if they could get away with it, and if they couldn’t? Well, just pass it off as a glitch or a harmless error of judgment. This isn’t an “issue” or a “situation”; it’s straight-up taking the piss and it isn’t even funny anymore. Previously, we would joke about DoA being a shopping simulator or a dress-up game but I’m not laughing now. The joke isn’t funny.
I’ll be voting with my wallet and continuing to not purchase a copy of Dead or Alive 6.
I honestly thought that I was done discussing this game. I’d spoken at length about my problems with Street Fighter V in general THEN I gave the uprated Arcade Edition a second chance before finally reaching my concluding sentiments towards Capcom’s flagship fighting game. I didn’t think I’d be making any further posts about SFV and that I’d simply enjoy playing the game from time to time (because Soulcalibur VI is just BETTER and enjoys more of my attention).
But then Capcom decide that they are going to release ANOTHER subtitled entry into the Street Fighter V series – Street Fighter V: Champion Edition…
The gaming world be like:
Now, some people are pissed about this and some aren’t but before I get into that, let’s have a look at what the Champion Edition consists of, shall we? Essentially, it’s as close as you can get to a “complete” edition of SFV. CE includes all of the currently available DLC characters, stages, costumes and new V-Skills. The only bits not included are the Fighting Chance costumes, collaboration costumes and Pro Tour DLC. Even so, that’s one whopper of a deal.
Price-wise, Champion Edition will weigh in at £24.99/$29.99 for the physical edition (out February 2020) or £19.99/$24.99 for the digital upgrade kit. If you want to simply upgrade whatever version you currently have then you can do that now and get ahead of the physical release, though it’s worth remembering that the “physical” version is likely going to be a tea coaster of a disc with a voucher code in the box for the content, so the digital upgrade is worth considering.
Additionally, everybody – regardless of which version of SFV they currently own – will receive a free update that adds the new V-Skills and balance changes to their game.
Finally, there are going to be two new DLC characters added to the game and the first one is an absolute tool that Street Fighter veterans will have to remove their forcibly-erected mental blockades to recall. I am, of course, talking about the ultra-cheap Gill – one of the most notorious and cheesy bastards from the entire fighting game genre. I personally hate Gill. I LOVE playing Third Strike…but I don’t like reaching the end of an arcade run-through and dealing with THIS shit:
Hopefully, they tone this guy down for SFV. I mean, it’s kinda cool that he’s back at last – after years of being exclusive to SFIII – but he just needs to chill the fuck out.
But let’s get back to Champion Edition‘s bundled content because many are (understandably) not too happy about this. Anybody who is familiar with SFV will know that it isn’t a cheap game. Gamers who have stuck with it since launch will likely have spent a pretty penny on DLC OR earnt the add-on content by grinding away online and using hard-won Fight Money to purchase new characters, costumes and stages. Characters tend to cost around the £5 mark while costumes are (at least) a few quid apiece, as are stages. Even colour swaps cost money (remember when you had those just for using different buttons to select characters? Ah, the old days…).
So £25 for the whole shebang is a bit of a kick in the teeth for long-term players. For one, complete newbies will be able to rock up to the party late and purchase everything for this budget price. Secondly, can you even forgive Champion Edition‘s existence and low price-point when it makes a mockery of how much you’ve paid over the years for add-ons? Let’s not forget that the disc version will likely get even cheaper once it’s been on the shelves for a while.
And it isn’t as if Capcom are rewarding your loyalty because the digital upgrade to your existing copy is a mere £5.00/$5.00 cheaper. In my opinion, the discount should be a lot bigger than that. After all, that difference will be negated in no time once the retail edition’s price drops.
Of course, there are a few things to remember. Firstly, if a Street Fighter V player has been playing the game, buying bits and pieces of add-on content here and there, and feels like they’ve had their value (regardless of Champion Edition‘s devaluing of existing DLC prices), then that’s fair play. Not everybody cares about being outraged over stuff like this.
Secondly, nobody ever puts a gun to the head of a gamer and forces them to buy DLC. It is – and always will be – entirely optional. It is – as depressing as it is – just the way that modern gaming is and the way that publishers make money. If you feel that strongly about a publisher’s business model for their game, then don’t buy what they’re peddling.
Lastly, Capcom have some form with this. If you were naive enough to believe that THIS time it would be different, and that THIS time, Capcom would “play fair”, then I only have one response for you:
This is the company that charged full price again and again for multiple updates of Street Fighter II back in the 90’s. It’s the same company that promised that it would be different with Street Fighter IV…before they released Super, Arcade Edition and Ultra flavours. And it’s the same company that APPEARED to be doing something different with SFV, and though they technically haven’t gone back on their guarantee of the base version being the only disc you will ever need to buy, they are still trolling those who spent a fortune on DLC by packaging it all up in a cheap bundle.
I’m not defending Capcom at all but what I AM saying is that the consumer needs to accept some of the blame for trusting them over and over and over. This shit? It was always going to happen. Menat could have seen it in her crystal ball thingamagic. The smart people are those who avoided the game until now because they knew that this would happen. Those people are set for a hell of a deal if they pick up Champion Edition and obtain everything for £25/$30.
Am I annoyed? Of course I am. I only recently bought the Arcade Edition, after all, and I have purchased several characters and costumes throughout Street Fighter V‘s life. But I’m still going to pick up Champion Edition because the content I haven’t yet bought far outweighs what I have, so that £25 price point still represents big value (and I will make sure to pull the trigger once that price has dropped even lower). But I went into this game knowing that Capcom would pull these sorts of stunts; I expected it to happen so how can I be outraged? This is what they DO and people are furious every single time as if they expected something different. I mean, if being charged for fucking palette swaps didn’t alert you to that fact, then what would?
In conclusion, Champion Edition is Capcom at their trollish best and I absolutely don’t blame anybody who is angry. The discount for going digital and upgrading early isn’t big enough and the package is an almighty kick in the balls for anybody who has already sunk a lot of money into DLC. That said, perhaps it’s time to finally wise-up and take Capcom’s promises with a pinch of salt when the inevitable Street Fighter VI arrives with the ‘promise’ of there being no revised versions down the line.
By now, you’ve probably seen the trailer and reviews for this thing but I’m going to talk about it anyway. I love retro/classic games and I adore Capcom’s back catalogue so a product like this should either be in my hands already, or on my Christmas wishlist. But it isn’t and here’s why.
What is Capcom Home Arcade?
Essentially, the Capcom Home Arcade is a premium version of the tried-and-tested retro-themed plug ‘n play devices. This one means business though. The device features a pair of arcade-style controls for starters, and competition-spec sticks/buttons from Sanwa. Here it is from the horse’s mouth a.k.a. the official site:
“Featuring a pair of competition class Sanwa JLF-TP-8YT sticks with 8-way GT-Y directional gates and OBSF buttons for the finest precision, response times and durability.”
So this isn’t something that’s going to fall apart and break after a few hammerings. Sanwa are, after all, a well-known and respected brand in the arcade stick field.
The device has the (pretty much now standard) HDMI-out connection and also wi-fi connectivity for uploading high scores.
As for the games, you are once again assured of quality. These are original CPS1 and CPS2 arcade ROMs running on a licensed (not without controversy…) version of the emulator, Final Burn Alpha, so you won’t be getting the kind of shady emulation associated with cheaper retro handhelds or plug ‘n plays from the likes of Blaze.
So as far as the actual quality and execution of the hardware goes, I cannot fault the Capcom Home Arcade.
What are the games?
The device comes with sixteen pre-installed arcade titles:
1944: The Loop Master
Alien Vs Predator
Capcom Sports Club
Cyberbots: Fullmetal Madness
Darkstalkers: The Night Warriors
Ghouls ‘N Ghosts
Mega Man: The Power Battle
Street Fighter II: Hyper Fighting
Super Puzzle Fighter II Turbo
So what’s wrong with it, then?
So…solid hardware, a decent line-up of games and sound emulation; should be a great product then, right? Well, I would never ask anybody to take my viewpoint as the gospel (because this is just my opinion after all) but, in my eyes, the Capcom Home Arcade is FAR from deserving of a “shut up and take my money!” meme.
For starters, this thing is ugly as sin. Look, I get where they were going with the design, and I’m not saying that it won’t appeal to anybody, but this just looks a bit tacky. The non-symmetrical, oddly-shaped form isn’t pleasing to my eye. It’s like the next Playstation being a giant Sony logo – who would take that seriously? I would have much preferred a traditional-shaped arcade stick decorated with some original artwork from an artist associated with Capcom such as Kinu Nishimura, Bengus or Akiman.
But the physical shape of the Capcom Home Arcade is the least of the problems.
The roster of games is, admittedly, far from awful. These types of products are usually loaded up with the same games over and over again rather than the juicy, rarely re-released titles that fans of the company involved are constantly clamouring for. So credit must be handed to Capcom for including the likes of Alien Vs Predator, Gigawing and Armored Warriors. They also avoided two other pitfalls: wasting slots with sequels and wasting slots on a slew of Street Fighter II revisions.
That said, I have to wonder why they went for the Hyper Fighting version of SFII rather than Super Turbo, or why they chose the original Darkstalkers over the much expanded sequels. On the whole though, these are petty moans when many of these games have never been ported to home systems. In fact, almost all of these aren’t available on the likes of PSN, XBLA or Nintendo’s E-Shop at the time of writing.
There are even two trump cards in the pack: Alien Vs Predator and Progear. The former is one of the all-time greats in the side-scrolling beat ’em up genre and has never received a home conversion (the SNES version is the same in name only), something that fans had long written off as ever happening due to licensing issues with the characters. As for Progear, this is a CAVE-developed bullet-hell shooter that has also never been released outside of obscure, mobile ports for old phones.
Did I say the line-up of games is “far from awful”? I should take that back because it’s actually bloody good once you realise that you can’t just go and (legally) download them from PSN or XBLA for a few quid.
So…what IS wrong with it?
The Capcom Home Arcade retails for £200 and that is BIG money for a plug ‘n play, no matter how good it is. You ARE getting solid build quality and an interesting collection of games to play but it’s just too much in my opinion, and that isn’t me being a tight-arse git who wants everything for nothing.
For starters, you have to be a fairly hardcore gamer to pay that much money for sixteen games, and those sorts of gamers have been playing un-converted arcade games for years on dedicated emulator-based arcade cabs. Many committed retro-heads even have the original CPS1 and CPS2 boards for these games and play them via JAMMA-compatible SuperGun devices.
Then there is MAME. Yes, it isn’t technically legal but, again, most people haven’t been waiting 20+ years for Capcom to re-license Alien Vs Predator. When a game is THAT good, you just emulate it, as you would with the other titles that have never received home conversions. Yes, we would ALL (myself included) like to play and own everything legally but it simply isn’t possible when certain games don’t get re-released. We have our virtual collection of arcade cabinets on our computers and MAME does a damn good job of emulating them by this point.
And if MAME is too dodgy for you, several of these games were included in the various Capcom Classics compilations for PS2/Xbox/PSP which are readily available on the second-hand market. Additionally, Final Fight, Armored Warriors and Captain Commando were not long ago included in the Capcom Beat ’em Up Bundle along with four other games. This is still available on PSN for £15.99.
And it’s highly unlikely that casual gamers, younger gamers or those new to Capcom’s back catalogue will want to drop £200 on this.
The fact is, you are so much better off by obtaining what you can via the aforementioned, existing compilations and just emulating the rest. The quality of the Capcom Home Arcade and its games cannot be disputed but why do yourself out of money? If this was a £100 or less then I would endorse a purchase immediately, even if the device IS butt-ugly.
Capcom would have been better off dumping these games on a disc or lumping them together as a digital compilation. Heck, release them individually on PSN, XBLA and the E-Shop. Start a new line of retro re-releases under some sort of fancy banner, perhaps. I have to assume that more money goes into Capcom’s pocket by doing it this way. Certainly, they are attempting to cash-in on the Christmas rush when more unsuspecting punters – partners of gamers for example – are likely to pay the £200. Nothing says “I love you” at Christmas when a long suffering partner presents you with a thoughtful and expensive gaming item, after all.
What I SHOULD be doing is celebrating and going nuts over Alien Vs Predator finally being shown the light of day again but, instead, I’m sitting here in disbelief having seen that £200 price tag and the naff aesthetics of the Capcom Home Arcade. If it bombs and stores are forced to slash prices by 50% or more to get rid of them then I will probably buy one but I have a feeling that these won’t be that mass-produced. The Capcom zealots will probably buy them anyway, no matter the price.
A lot of gaming news and announcements completely fail to enter my sphere of interest these days but, sometimes, I see/hear something that I can’t help but be excited for. It’s these little moments that remind me that, as much as I have cooled-off on the hobby in recent years, I still love gaming. Such was the case when I saw the news that Capcom is planning to “revive dormant IPs”
In fact, I was so pumped, that I decided to make a quick post about this news. First thing’s first though: I read this on The Fighters Generation, a website dedicated to fighting game news, reviews and artwork that any fan of the genre really should have saved in their bookmarks/favourites.
Apparently, Capcom’s confidence in their classic franchises has been bolstered by the success of Devil May Cry 5, Resident Evil 2 Remake, Monster Hunter World and the collective sales of 18.5 million units.
Naturally, the potential here is incredible. Capcom’s back catalogue is enormously impressive and I believe most gamers could think of a franchise or standalone game that had the Capcom logo on the box, and that they would like to see revived going into 2020 and beyond. Obviously, it’s far too early to get any hopes up yet but I’m going to throw caution to the wind and list off the top five games (in no order) that I would like to see announced…
It should come as no surprise – given the name of this blog – that I have always been a huge fan of Darkstalkers. It’s basically Street Fighter with vampires and mummies but Darkstalkers is so much more than that. The beautiful 2D art style lent a colourful and playful comic-book style to characters and themes rooted in horror. It was also an incredibly creative series with crazy moves and nutty supers that were a gazillion times more interesting to behold than Street Fighter‘s equivalents. And that’s saying something when much of Ryu and co.’s pyrotechnics, gravity-defying punches and outrageous super moves weren’t exactly grounded in reality in the first place.
In theory, a new Darkstalkers should be a success. After all, you only need to look at how popular and enduring the characters still are. However, Capcom have a recent history of trolling the fanbase with various hints and rumours that haven’t led anywhere unless you count Darkstalkers Resurrection for PS3/360 which was just a duo of tarted-up ports.
This being one of my absolute favourite series’ of all-time, I do have some reservations, however. Firstly, the game really needs a sumptuous 2D style to do the originals justice. I know that hand-animating genuine 2D sprites and backgrounds is no longer a viable thing in the industry but I’d happily settle for a convincing imitation. The King of Fighters XIII and Blazblue spring to mind, for example. But knowing Capcom, they will likely fall back on the tried-and-tested 2.5D style that has powered recent Street Fighters and MvC games.
Secondly, I will be underwhelmed (to say the least) if a new Darkstalkers becomes the next Street Fighter V and adopts the same rushed launch, DLC/F2P approach and focus on online play. And please, no petty stuff like censoring Morrigan’s cleavage or putting Felicia in a nun’s outfit (and yes, I know that that actually happened in one of her endings).
Capcom Vs SNK 3
The timing for a third installment in the CvSNK series has never been better. SNK are riding high at the moment with the successes of KOF XIV and Samurai Shodown (both great games) and they have been setting the fighting game world alight with mini crossovers. Mai Shiranui slotted neatly into Dead or Alive, Geese Howard brought his counter-attacks to Tekken 7 and Terry Bogard has starred in TWO non-SNK games – Super Smash Bros. Ultimate and Fighting EX Layer.
So why not blow the minds of fighting game fans and bring back the crossover series that gamers have been clamouring for for so long? The potential is immense. So many new characters have established themselves on both sides of the Capcom/SNK divide in the last twenty years so there’s ample room to spice up the roster. They could even expand it some more so that it doesn’t feel like just Street Fighter vs King of Fighters. Tatsunoko Vs Capcom and the last two Marvel Vs Capcom installments have shown that the developer isn’t averse to some left-field thinking and sending out tournament invites to characters not traditionally associated with their fighting games.
As with Darkstalkers, my main reservations would be the visual style and whether a CvSNK3 would become DLC: The Game. I have to be honest though: neither would put me off playing it.
A bit of a different survival horror game that didn’t do brilliantly at retail first time around, but now commands a fair price on the second-hand market due to gamers eager to play what they missed out on. Away from commercial success (or lack of), Haunting Ground was a interesting game from the same publisher that brought us Resident Evil. Unlike that series, however, the protagonist – Fiona Belli – didn’t fight back against the sinister enemies stalking her. The twist was that you really were just a frightened teenage girl, trapped in a massive castle, and being hunted by the owner’s servants.
Fiona had to avoid her enemies and hide in closets or underneath beds and it was very tense, knowing that you may or may not be discovered. She also had her faithful canine companion, Hewie – a German Shepard that could be instructed to attack enemies or retrieve out-of-reach items. You had to look after Hewie though, and keep him healthy so it almost felt as if you were building a genuine relationship with this dog, Fiona’s only friend and – in many cases – chance of survival.
Haunting Ground had such a fantastic, chilling atmosphere. There were only three enemies in the game but the threat of being found, and knowing that you could only flee in terror, ramped the tension up to often unbearable levels. Fiona could also fall into a state of panic if she was exposed to too much. Visibility worsened, she could start running about of her accord and could even fall over. Staving off exhaustion played a key part in keeping Fiona’s sanity at healthy levels and preventing a dehibilitating state of panic from setting in, so you had to be careful not to run too much or abuse the backstep and tackle abilities.
It was such a creative and original survival horror game. It also looked superb by PS2 standards. Additionally, there aren’t many enemies in the survival horror genre that can hold a candle to the robotic creepiness of the maid, Daniella.
In period, Dino Crisis was often described as “Resident Evil with dinosaurs” and that’s pretty much what it was. The controls and camera angles were very familiar to Resi players and the game was even developed by the same team. The original Dino Crisis was a big success and cemented itself as a firm favourite that most 90’s gamers will have played or at least heard of.
Unfortunately, the series never achieved the same longevity as it’s zombie-infested sibling. Dino Crisis 2 traded survival horror for a greater focus on all-out arcade action but was still a success for Capcom. The same couldn’t be said for 2003’s Dino Crisis 3, however; a sequel that took the series into space with new characters, mutant creatures engineered from dino DNA and one of the worst in-game cameras ever implemented. The fact that it was exclusive to the original Xbox – when Dino Crisis was traditionally a Playstation-first series – probably didn’t help sales either.
So it would be awesome to see a brand-new Dino Crisis that perhaps uses the Resident Evil 2 Remake engine. Come on, Capcom: bring things full circle again.
Thanks to digital platforms, side-scrolling beat ’em ups have seen somewhat of a resurgence in recent years with many enjoyable, original examples finding their way onto PSN and XBLA in amongst welcome ports of classic arcade brawlers. Even Streets of Rage is finally getting a true fourth installment so wouldn’t it be great to see a Final Fight 4 as well?
Obviously, there have been other Final Fight sequels post-Final Fight 3 but it’s difficult to count those as ‘proper’ sequels. Final Fight Revenge was a pretty poor attempt to simultaneously take the series into the third dimension AND the one-on-one fighting game format. Final Fight Streetwise returned to the beat ’em up format but barely had anything in common. I didn’t entirely dislike Streetwise (it’s so bad that it’s fun) but the miserable urban ghetto setting, swearing, a storyline based on substance abuse and even mutated abominations towards the end of the game, all marked the game out as the blackest of black sheep in the Final Fight series.
What we need is a REAL Final Fight follow-up that reintroduces some colour as well as the traditional side-scrolling format. It would be great fun. The recent inclusion of Final Fight 3‘s Lucia in Street Fighter V proves that even the lesser-known sequels to the original arcade hit are still in the front of Capcom’s mind so maybe and brand-new installment isn’t such a wild wish…
So those are my personal top five choices for Capcom revivals. What do you think of this news? What would be on your wishlist?
I’ve made no secret that Dead or Alive is one of my favourite fighting game series’ and I’ve also made no secret of the fact that I enjoy the unashamed smut that Tecmo’s fighter has peddled ever since its debut. So I was disappointed when they decided to get serious with DOA6 and dial back the sexy stuff for the sake of being more “acceptable” and modern. Thankfully, that change in philosophy didn’t turn out to be too radical and we didn’t see Kasumi and co. trying to duke it out dressed as nuns.
That said, I still haven’t picked the game up. Partly because I still feel that I have some mileage to extract from DOA5 and partly because I wasn’t a fan of the in-game unlock system for new costumes. However, I sat up and took some notice when the new Seaside Eden season pass was announced, compromising of a new beach stage and a truckload of bikinis. The pass is to cost $79.99 USD which is a lot of money but I assumed that wouldn’t matter. After all, if I finally took the plunge with Dead or Alive 6, I could just cherry-pick individual costumes…couldn’t I?
This was where I discovered something pretty surprising and annoying. For those who have been playing DOA6 for a while now, this is probably a really dated rant but I genuinely had no idea that costumes can be purchased individually on every platform EXCEPT for the PS4…in the West. Playing DOA6 on the PS4 in an Asian market? No problem. Xbox One or PC? We got your individual costume purchases covered, buddy. PS4 in America or Europe though? Fuck you, says Tecmo.
What sense does this make exactly? I can’t see one although I have come across two possible theories that I think are both a load of old cobblers.
Sony is to blame for wanting to keep the PS Store uncluttered and streamlined
It is a marketing strategy in order to make more money in the West by forcing punters to purchase season passes or entire sets of DLC
The first theory makes some sense initially. Anybody who dabbled in DLC for either the PS3 or PS4 incarnations of DOA5 knows how awful the organisation of the DLC was and the nightmare of pissing about with compatibility catalogues or trying to make old DLC purchases work with updated versions of the game. So it would be understandable if Sony insisted on keeping things clean with DOA6. But this theory falls apart when you remember that PS4 owners in Asian markets can buy whatever the hell they want.
The second theory also has no legs when Xbox One and PC owners don’t have to commit to a season pass.
So why are Western PS4 owners snubbed? I honestly don’t know but what I DO know is that I won’t be buying Dead or Alive 6 until Tecmo sort this shit out. Some may argue that missing out on the DLC (especially superficial sexy stuff) won’t harm my enjoyment of the actual game and while I agree with that, I also know that I purchased a lot of DLC for DOA5 and I would likely want to do similar with 6. This isn’t even an anti-DLC rant. I want to buy what Tecmo/Team Ninja are selling but it’s the principle of being forced into buying a mega-expensive season pass that turns me off, especially when owners of other platformers don’t have to deal with that crap.
I’m fairly confident that the internet doesn’t need any more opinion on this year’s E3 but look here for a moment: I need to put out some quick ‘n dirty content to stop this blog from completely flat-lining. If it hasn’t already, that is (I’ll let you guys be the judge of that). On a positive side, I don’t plan on boring you with in-depth E3 2019 analysis or any attempt at “complete” coverage. What this is going to be is my thoughts in quick-fire format.
But quickly, before I get into that, I’ll just give my brief thoughts on the event overall. Personally speaking, E3 hasn’t made me feel moist for some time now. A lot of what is big in gaming at the moment doesn’t really appeal to me. Nor does the push for more power and better graphics because I’m satisfied with what we have now when it comes to the aesthetics. Lastly, I have so many games still lingering in my “to play” pile that I don’t really need anything else so unless a game strikes me as “essential”, I won’t add it to my wishlist.
With that said, let me jump into those quick-fire thoughts on some stuff I saw…
Blair Witch Project
This one came out of nowhere and despite what I’ve just said about not being interested in hyper-realism, I was very impressed by the trailer. Blair Witch Project looks creepy as fuck and I would certainly be interested in experiencing the final product.
A new Xbox console
A new Xbox is coming next year and promises to be uber-powerful. At first I was like, “really? already?”. Then I checked the dates and was horrified to see that the Xbox One was released in 2013! Where has that time gone? The XBO and PS4 still feel new to me but I guess Project Scarlett will arrive at the end of its predecessor’s 6-7 year lifespan which is consistent with previous console life cycles. One thing I WILL say however is that I’m positive that the Xbox One, PS4 and their beefed-up X/Pro versions were touted as hardware that would last longer at retail and thus save consumers from having to keep buying new consoles. Perhaps I’m mis-remembering though. In any case, I’m really not interested in more raw power so I couldn’t care less about a new Xbox and the inevitable PS5 that will surely be announced in due course.
So there’s an Avengers game which isn’t surprising given the current popularity of Marvel’s superhero franchises and the Avengers movies. Ironically though, this game doesn’t look to be linked to the MCU despite looking eerily similar. The gameplay looks okay but nothing outstanding. And can somebody tell me why Black Widow looks like a man? One to try when it’s in the bargain bins methinks.
Final Fantasy VII Remake
The first part has finally been confirmed for 2020. Honest opinion: it looks better than it did before but I’m still not sold on the action-based gameplay. Also, I think they shrank Tifa’s boobs a little bit. Because progressiveness and all that boring jazz.
One thing that E3 2019 proved to me was that the Switch is now a very appealling console with lots of great exclusives on the horizon. The super-charming remake of the Gameboy’s Link’s Awakening is one such game. I had great fun playing the ‘DX’ version on my Gameboy Colour back in the 90’s so I would be down for this.
Fire Emblem: Three Houses
I should be hyped for this because Fire Emblem WAS one of my favourite series’. Times have changed though and now all I see is the waifu content and anime tropes so I find it hard to want to be a part of the FE fanbase these days. What I need to do is try some of the other games that came after Fates (the games that killed my interest in FE) and see if my cynicism can be put to rest.
No More Heroes III
A Switch-seller for me that WILL be awesome by default. I don’t even need to see any more footage or gameplay to confirm this theory.
I loved Panzer Dragoon on the Sega Saturn so a remake was both surprising and welcome. I don’t necessarily condone excessive remakes over original games but nobody can deny that 3D games on the Saturn haven’t aged well. And that’s a shame when Panzer Dragoon has such beautiful world design so this is one instance where I will grant a free pass to a remake.
More Resident Evil ports…
This time it’s 5 and 6 to the Switch. My opinion on these? Just stop already. Enough with the ports of older Resident Evil games.
Marvel Ultimate Alliance 3
I missed the first two games back in the PS2 era because I was busy playing other stuff but by all accounts, the Ultimate Alliance games were solid action efforts and I know that fans have been shouting for a third one for some time. Also receives bonus plus points from me for NOT being influenced by the MCU.
Zelda: Breath of the Wild 2
It’s happening. I still haven’t finished the original though due to getting sidetracked by random exploration so I need to get that sorted at some point. I sequel that is set to follow the same formula took me by surprise but I’m not complaining.
Mai and Kula in Dead or Alive 6
No, I still haven’t bought into DOA6 but I liked these two character reveals. Kula has long been one of my favourite characters in KOF and so I’m looking forward to seeing her fighting style and breezy personality in DOA-vision. Mai was no real surprise having already successfully integrated herself in DOA5 but I’m a sucker for Ms. Shiranui’s charms (you can read that how you like).
Those are my brief thoughts on things shown at E3 2019. I’m sure I’ve missed lots of trailers and announcements but you’ll never find me watching the live streams of videogame events or sinking my time into those mammoth recap videos on Youtube. There’s actual gaming to be done you know.
Let me know what you thought and whether you agree or disagree with any of my verdicts.